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The writer confessed to trees that, often,
the modern world appeared a sepulcher and that the
essence of the being had atrophied into crude
paralysis. The paralysis was disguised by senseless
motion that inspired thousands of commentators and
false gods. The being no longer fused with the desires
of a creative form but lived inside monstrous organizations
and empty acts that relied on fear and intimidation.
Ah trees, what do you say? And the trees invariably told
the writer not to generalize about anything but return
to the sources of imagination and inspiration. Old forms
pop up to try and convince the living that everything new
is superfluous. It is cynical and sneering.
He thanked the trees and listened to his imagination.
It said, 'the inexhaustible potential of life is directed
to specific areas out of which a world is built.'
'The inexhaustible potential of spirit is directed to
faith and its manifestations.'
'The inexhaustible potential of the body is directed to
exercise and exhibition'
'The inexhaustible potential of the mind is directed to
what is useful or needed.'
Ah that is good, the writer thought. It means at least one
entity understands the power of renewal and transformation.
But then, what pasture will allow me to luxuriate in the
renewal? What street will not grab me by the throat and
destroy me? What machine will not hunt me down to eviscerate
me? What madman will not pick me out from a crowd of thousands
and shoot me?
The writer considered the tree from a distance. The tree had
an intricate root system that took the nutrients and minerals
up through the ground to nurture the life of the tree. To
cut the root was death. And in the talking aspect of the
tree, the writer mused, did it continually say to itself,
'ah, my roots are good because they sustain me?' And suppose
someone came along and dumped poison into the ground, into
the very root system itself. Would the tree continue to tell
itself, 'ah, my roots are good because they sustain me.....'?
Even in the second right before it fell over?
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