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The writer had spent weeks trying to perfect a chant he used when he
needed to connect with lost influences:
The first influences were always vain and remained
so until they revealed themselves as the desire itself;
the leaves, twigs, bits of clothing, bark, dead fish
were markers along the path of desire. So that for a
time the mind refreshed itself in impressions. It learned
the various tensions abiding in the world, learned the
names of things, named them and then sought to control
them by connecting the names up and visualizing them
on opposite poles like heads of the ambitious and criminal.
The influence of mingling minds taking and giving
spontaneously like some liquid gas became the first character
the writer encountered.
It came down to style. And the writer had learned
through experience that style was a trust. It was based
on the trust that one recognized limitation. Only the
brave and criminal broke the trust; the criminal as
a parody of laws he understood too well and the brave
as an understanding that the laws were a kind of dead
skin the living had to suffer.
There was certainly fear; fear and mistrust. There
was a completion so desired, so far away, so much a
form of delusion, so much a seed. Whose shadow side
provided the first nourishment? Whose life not lived
provided the soul its first dreams? Ah, bitter fruit
that permits us to pass through the ways of the world!
Let us again see, the writer thought, the center that
will not hold. Let us see the contention of death dissipate
in fine thoughts like sails of fast boats in a harbor
of chains.
To lose the love of youth and find the love of wisdom.
To love creation meant to to fight. In a moment of pure
unselfishness the writer could see his potential range far
beyond anything he imagined. The horizon was filled with
dead horses and madmen selling the promises of nothing.
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